New YorkerestThe essential reads from every New Yorker issue
Best of The New Yorker

Nick Paumgarten

Nick Paumgarten, a staff writer, has contributed to The New Yorker since 2000.

Read more on The New Yorker →
@NickPaumgarten

20 picks · 2004–2023

Featured Picks

Todd Rundgren, Renaissance Rocker
dept. of song · January 2, 2023

Besides “Hello It’s Me,” his C.V. includes playing in a Bowie tribute band, producing Meat Loaf as a Springsteen parody, and getting drunk with Mrs. Soupy Sales, Nick Paumgarten writes.

When the Man in Black Met the Guys in Tie-Dye
strange bedfellows dept. · November 8, 2021

Nick Paumgarten writes about Owsley Stanley, the legendary Grateful Dead soundman and LSD chemist, who left behind thirteen hundred reels of live recordings from his sonic laboratory, including a newly released recording of the night Johnny Cash came to town.

Huey Lewis Hooks One
good casting dept. · March 2, 2020

Fly-fishing in Great Kills Harbor, the Reagan-era hit machine talks about his childhood with the Beats in the Bay Area, and the challenge of making music while losing his hearing.

The Message of Measles
a reporter at large · September 2, 2019

As public-health officials confront the largest outbreak in the U.S. in decades, they’ve been fighting as much against dangerous ideas as they have against the disease, Nick Paumgarten writes.

A Voyage Along Trump’s Wall
a reporter at large · April 23, 2018

Canoeing the Rio Grande reveals how life and a landscape would be changed along the border.

A Prison Film Made in Prison
a reporter at large · January 29, 2018

Nick Paumgarten writes about “O.G.,” a movie that tries to capture the hope and despair of inmates’ lives.

St. Vincent’s Cheeky, Sexy Rock
profiles · August 28, 2017

In the follow-up to her breakthrough experimental album, is Annie Clark making a grab for pop success?

The Second Avenue Subway Is Here!
new york journal · February 13, 2017

The début of New York’s newest train line took place at noon on New Year’s Day—ninety-seven years after it was first conceived.

The Most Exclusive Restaurant in America
annals of dining · August 29, 2016

Nick Paumgarten on the chef’s mysterious basement restaurant in Earlton, New York, and its ten-year waiting list.

The Scold
profiles · February 29, 2016

Nick Paumgarten on Peter Adeney, the man behind the blog Mr. Money Mustache, which promises liberation through thrift.

The Death and Life of Atlantic City
letter from new jersey · September 7, 2015

Nick Paumgarten writes about the New Jersey city and Revel, the casino that was supposed to turn things around.

New Old Car
repo dept. · November 25, 2013

The woman showed Brooke Shields a picture of a for-sale sign propped up on the back of a maroon two-door 1983 Mercedes SEC. In parentheses were the words …

Master of Play
profiles · December 20, 2010

From 2010: Nick Paumgarten’s Profile of Shigeru Miyamoto, the man behind many of Nintendo’s best-known video games, including Mario and Donkey Kong.

Brilliant Mistakes
profiles · November 8, 2010

Elvis Costello’s boundless career.

The Merchant
profiles · September 20, 2010

Nick Paumgarten writes about Millard Drexler, the C.E.O. of the clothing company J. Crew, and his views on fashion as a business.

Food Fighter
profiles · January 4, 2010

Does Whole Foods’ C.E.O. know what’s best for you?

Up and Then Down
our local correspondents · April 21, 2008

Nick Paumgarten’s 2008 story about a Nicholas White, who got stuck on an elevator, and the history of elevators and city life.

The Tycoon
profiles · July 23, 2007

The making of Mort Zuckerman.

Dangerous Game
the sporting scene · April 18, 2005

Nick Paumgarten skis with the mountaineer Andrew McLean, who specializes in chutes—steep, narrow flumes of snow that plunge like elevator shafts.

The Boys
profiles · August 30, 2004

What Mike and the Mad Dog talk about when they talk about sports.

Best OfLeaderboardAuthorsAbout
Back to latest issue

© 2026 New Yorkerest

Not affiliated with Condé Nast or The New Yorker Magazine. Made with respect and admiration for their exceptional editorial work.