No. 1512—II
In Part II of her 1952 series, Lillian Ross observes the on-set production of John Huston’s film “The Red Badge of Courage”—and the tensions between great art and big business in Hollywood moviemaking.
Anthony West reviews Ralph Ellison’s “Invisible Man” and explores how the novel confronts progressive racism.
An examiner for the Federal Department of Platitudes visits Dr. Arbuthnot's Select Academy. During his tour of the school he drops in on classes on: …
The New Yorker is older than we are. For issues that predate this project, an algorithm trained on our taste did the picking.