profiles
What Bob Dylan Wanted at Twenty-three
Nat Hentoff’s portrait of the artist trying to move past “finger-pointing” songs, and finding a new voice in the process.
October 24, 1964
New YorkerestThe best of every New Yorker issue, since 1925
profiles
Nat Hentoff’s portrait of the artist trying to move past “finger-pointing” songs, and finding a new voice in the process.