Eclectic, Reminiscent, Amused, Fickle, Perverse—I
Music executives in the late sixties were often cynical about rock stars—but never about Ahmet Ertegun, the Atlantic Records chairman who practically signed them all, George W. S. Trow writes.
The New Yorker is older than we are. For issues that predate this project, an algorithm trained on our taste did the picking.